They used to have instruments sitting around after rehearsals, so I got in the mood of playing drums at seven years old. Gave me some pots and pans and said, ‘Once you beat a hole in these, I’ll give you some drums.’ Two months later, I had a hole in them joints. That inspired me to then pick up the guitar and the bass, the piano, trumpet, saxophone and xylophone.
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Then when I met this group by the name of Joe Public, they showed me how to make a complete song. #READY TO DIE BIGGIE SMALLS TRACKLIST HOW TO# From then on, I met Jodeci and after, I met Puffy and it was all history. Nashiem Myrick: My father was a DJ and he introduced me to the turntables and music.
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I was in a group with a fella by the name of Harve Pierre, who works at Bad Boy still, and David Abraham. We were under Empire Management and signed to Payday Records. My friend Harve was friends with Puff, so once Puff did the transition from Howard to Uptown and then to his own label, followed and brought me along.Įveryday Struggle: 9 Songs That Showcase The Notorious B.I.G’s Strength & Vulnerability As A Black…įirst Impressions: ‘You Know You Just Said F**k Your Mom?’ That’s my only experience with the music industry before Bad Boy because we got dropped on my birthday in 1991. Stevie J: It was rare for an artist to just go in the booth without a pen and a pad. He would go in with nothing but a story in his head. It just blew my mind that an artist could write a phenomenal rhyme with just an imagination. He was one of the best artists to work with, not to mention that tone and his gifts to be the most fun and funny guy ever.Įasy Mo Bee: I hadn’t really worked with stuff too rough of a texture. I think about the roughest thing I had worked with was a remix for Freddy Foxxx a.k.a. I started working with Biggie and he said, ‘F**k the world. I’m ready to die.’ He came out of the booth, and I said, ‘Yo, you know you just said f**k your mom?’ He said, ‘Yeah, yeah. I’m going through a lot.’ But the more we worked together, the closer we got. He said, ‘Yo Mo, my mom got cancer on her breast. I got a baby on the way, and Puff talking about this music. I hope this sh*t is going to work out.’ He was optimistic about it and hopeful, but he still wasn’t really sure what was going to happen. I grew to understand him more, and from there, it made it easier for us to work together.ĭJ Clark Kent: Nothing was hard. Nothing was a fight nothing was confusing. There wasn’t anything that he was a hard a** about.
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If you could make him understand it, he would say, ‘Alright.’ It wasn’t no, ‘let me explain why you have to do this.’ It was, ‘This why we got to do it.’ He was the easiest artist I’ve ever worked with on any level. Even when I could tell there were things he didn’t want to do, if I could give him a clean, easy explanation, he was cool. He was the artist that if he respected you, he trusted you. That’s the reason why somebody like Puff could make a decision on “Juicy,” because he trusted him.ĭJ Premier: Biggie used to be on the corner of Fourth and Washington Ave and I lived at this brownstone right down on Washington, in between Lafayette and Green. Was posted to go to the corner store for food, weed and our 40 oz. #READY TO DIE BIGGIE SMALLS TRACKLIST CRACK#.#READY TO DIE BIGGIE SMALLS TRACKLIST HOW TO#.